Digital Disruption

2022

Why Alicja Kwade tokenized her DNA

Crypto investor Jehan Chu on building a collection of contemporary art and NFTs

As the direct-to-consumer model for selling art gains ground, where does it leave traditional art dealers?

Do Biennales have a future in today’s digitally disrupted, white noise filled world?

2021

Five digital art exhibitions that resonated this year

Digital disruptions, young collectors, and a dominating Asia—five trends that defined the art world this year

What Axie Infinity and the Metaverse tell us about the future of the digital art market

What Masterworks and Ozy Media tell us about end of the traditional art fair

Olivia Rodrigo is not the only reason the art world needs to pay attention to copyright and IP

What do we see when art looks to the future?

Immersive art trends to look out for in 2021

The perils of social media in the art world

NFTs in IRL: the rise of digital art galleries in physical spaces

Is NFT the future of the art world?

Art Basel’s flagship fair returns IRL with push and pull between past and future

The pressure points of global art fairs: from ineffectiveness of OVRs to insular VIP parties

2020

Art Basel OVR and why the art world needs to simplify

Why are Animal Crossing and Live Streaming popular in the art world today?

How sustainable is the art world going online during COVID-19?

The art world is going digital amidst closures. Will it work?

Art and Artificial Intelligence

2018

The future is here. Is Singapore art scene ready?

2017

Instagram helps artists get their works seen and sold

Singapore’s first GIF Festival to take place in October

2016

Is the Internet killing good writing as we know it?

“Keyboard Warrior” turns satirical illustrator

Future World: Where Art Meets Science – In Conversation with teamLab

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